Sarah Grace Dye

Views from my windows

One of the sketchbooks from the previous post was made so I could simply draw everything from my surroundings. I wanted to start with views out of the windows of the apartment. I love the theme/title ‘A sense of place’ something we used years ago when I was teaching for a module all about making books and recording your environment whether real or imagined. As the years have gone by I have realised that pretty much all of my work is about this same thing. My work is about capturing a sense of place and this period of time in history really calls for that don’t you think? Anyway these are the drawings so far…

An added little clue to the timing of the book is the bookmark end did anyone spot it? I found a ‘corona’ bottle top on one of my daily walks which I felt was a little bit of serendipitous ephemera just meant to be for this book. If you are interested in seeing the time lapse versions of these they are available on my YouTube channel. I will post my progress in a week or so…

Sarah Grace Dye

Sketchbook making on a budget

During this last few weeks of lockdown I have been in Germany. I was visiting when everything unfolded and had to stay put. It was definitely for me the best thing my only problem was that I had very few materials here for making work or money to buy things due to loosing the majority of my income in one go. I love the phrase ‘necessity is the mother of invention’ and am very aware that all the best equipment in the world doesn’t necessarily equal quality or good work in some cases it can actually hinder thought processes and make us a bit lazy. I am particularly fond of a challenge and creating something from nothing, with a nod to recycling and minimising waste. So all of this has led me to make a series of sketchbooks that would enable me to draw all the things I wanted to during this time. Currently I have made five…

The first one was made from collecting end pages from some old books picked up from a free book swap box a couple of minutes walk away from where I am staying. One of the books provided the black outside cover and the three signatures of pages were stitched inside. I left most of the edges rough and this book has been for drawings of objects from my surroundings. I love how an object tells a story and sparks memories. In another post I will share some of the drawings.

Next came the ‘Fat Boy’! This one began with the label which I removed from a large bean bag chair thing that was being thrown away due to holes. It is really tough material and seemed the perfect length for a spine, the rest of the book evolved from there. It has hard covers made from off-cuts of board covered with pages from an old Italian book on engineering. The signatures are made from used wrapping paper, magazine pages washed over with white paint and some old card file dividers not needed any more. I am always picking up things when I am out and about so already had a little selection of bottle tops that when flattened made great bookmark ends. Finally I made a pocket inside the front cover and voila a second sketchbook.

After the second sketchbook I was really pleased with the magazine pages washed with white. I used a matt acylic which had created a lovely chalky texture that was working well with all my drawing materials. So on another trip to the book swap box I collected a couple of architecture magazines which had some great images in I was thinking of using for collage. However I realised that the paper was quite thick and might work well painted with white for drawing on. So book three emerged. Completely made from the architecture magazine and white paint. Three signatures stitched into a cover made from two interesting pages stuck together. This one was finished off with my corner rounder just for a little touch of class!

The final two are made in a similar way using a kind of adjusted coptic stitch to attach the signatures together and I left these without a cover. The main difference was the paint used for the white pages. This time I tried a furniture paint using a roller to apply it. The surface is nice and smooth but a bit to slippery for watercolours but good for pen and ink, biro or fine liner.

I am sure as the weeks go on I will keep experimenting but for now I hope this maybe inspires you to use the things you have to hand and that a lack of materials  or money doesn’t have to mean a lack of creativity, actually I think that the opposite is true!