If you have been following me through this last year of lockdown you will see that recycling the everyday left overs has slowly become an even bigger part of my practice. This began through necessity but now is just an utter delight to take the ordinary and elevate it to something else.
Predominantly this has happened through paper making which you can see more about specifically here. But I realised it was well and truly time to share some of the books that have come from all this papermaking. I will add, I am still very much in the exploratory stages of this adventure with the papers to see what they are capable of and how light fast the colours are, so I am armed with knowledge for future projects. It has so far been a very rewarding process and a little bit like playing with magic. I am known now for not throwing anything away but squirrelling everything away just in case! My recycling bins have definitly had much less use in recent times.
During this period of lockdown I have been making sketchbooks. At first it was because the shops were shut and money was scarce but now it is mostly because I enjoy the making process, love the outcome and can make them exactly tailored to my needs. I thought I would take you through the process of one of the designs to hopefully inspire making in others.
good quality magazine paper
matt white paint (acrylic, gouach or emulsion)
paint brush
card for covers
awl (or hammer and nail)
waxed thread
needle
cutting mat
scalpel
button
tracing paper (optional)
clips to secure the paper
I have been using pages from an Italian architecture magazine I got for free from a book swap near where I am staying, the paper is a good thickness and strength so can take lots of playing with. First of all I painted each of the pages on both sides with a matt acrylic white paint. When they are completely dry fold in half and trim to whatever size you require. Collect together into three signatures. With this batch of paper I made a squarish sketchbook and then a landscape one with the off cuts.
Next take your card (I have used two old school folders stuck together with double sided tape to make it thicker and two coloured) measure and cut your cover leaving extra either end to fold in at the end of the process to create a box cover. Make sure to leave a section in the middle which will be your spine, score either side of the spine and make folds. Measure and mark where you would like holes for stitching up the centre of one signature then use that as a template for the others and the cover. With your awl make holes in the paper ready for stitching. Take one signature and clip in the centre of your cover making sure the row of stitching will be up the middle of your spine. With your needle and thread start in the inside centre and use a running stitch first up to the top then back down to the bottom and back up to the centre where you can tie the thread securely. Trim the ends. For the second signature place it close to one side of the one you have already stitched and clip in place. With your awl make the holes through the signature and into the cover. Stitch using the same process as before. Repeat the whole process a third time on the other side of the first signature then you should have three lines of stitching down the spine of your cover.
The next job is to fold the ends. This is entirely up to you how you configure it. You could just simply cut them off altogether or, as I prefer score the folds to make a neat box shape which protects your precious scribbling inside. For this one I have stitched on a button for a fastening but you could simply have a length of ribbon or string that wraps around the book or anything else you fancy. A little extra touch I do is to round off the corners which really pleases me but thats completely to taste (and I have a corner rounder which makes it easy!)
As an added extra I use tracing paper for some extra layers throughout the sketchbook but also to create a pocket at the end. I am notorious for collecting ephemera wherever I go so pockets in sketchbooks are essential for me. All you need to do is fold some paper in half and half again. Stitch in wherever you like with the fold at the bottom so all you need to do is add a line of stitch (I use a sewing machine for this bit) hey presto a pocket. Of course you don’t have to use a tracing paper but I like to be able to see what is in there!
I wish you some happy hours of making something exclusively tailored to your own needs and I’m sure you can come up with some other extras that suit your practice. These little beauties will be coming with me to Iceland next week as I have been blessed with two weeks of drawing time there and I am very excited! Will keep you posted on what comes out of that as I go…
