Sarah Grace Dye

Colour studies from Iceland

One of the things that struck me most during my time in Iceland was the colour palette, both in the natural and those made by human choice. I’m really not sure what I expected, maybe my previous visual experiences of the country had all been Iceland in winter dark earth covered by a deep layer of crisp white snow, I’m not sure. But the sheer intensity in the range of colour reached another level entirely and provided a feast for my eyes. These quick watercolour sketches are a small sample of my subsequent experiments with the landscape I experienced.

The luminosity of colour struck me so much, maybe it is the big skies, or long days of sunlight but there is a feeling of being on top of the world. For me my choice of translucent watercolour on brilliant white paper go a tiny way towards capturing this experience and feeling. I am not sure where this will lead but I am enjoying the journey!

Italian sketchbook

I have just been very fortunate to take a couple of weeks out in Italy visiting two lovely friends, one in the Abruzzo region and one in Rome. I always have a sketchbook with me and try to take time out to sit and draw the things I am seeing. On this trip I especially took time for drawing in Rome spending several hours at each of the places I went, sometimes until I couldn’t feel my fingers any more! It is quite a strange sensation when the sun is burning the back of your legs through the layers of clothes but your fingers are frozen and turning blue…